Helena Christensen: I ____________________ around the world when I was about 18-19 years old and I think my interest and passion for photography probably started on that trip. And then almost immediately that trip ended my _______________ _________________ started and so then I got to see the world.
Voice-over: I’ve had the rare opportunity to meet many amazing photographers who moved through the different _________________ to create powerful images.
Mark Seliger: I’m here with Mary Ellen Mark photojournalist and portrait photographer ___________ work has changed, I think, the _________ of modern photography.
Mark Seliger: It was very ________________ to me because there was photojournalism but there was also this very ____________ and creative way that images were presented.
Mary Ellen Mark: Magazines were like ______________ for me, they gave me this amazing opportunity to do my own work.
Helena Christensen: When I’m behind the camera I seem to stop breathing because I get so ______________ by the moment. It’s almost like everything just came to a standstill.
Mary Ellen Mark: The guy that ran the ______________ … We called him doctor death.
Helena Christensen: You know what is strange about this photo? I don’t even know where I took it and the negative was ______________ together with a piece of paper so when I _______ it ____________ obviously all that white stuff which looks like ice on a window […].
Helena Christensen: We don’t live in these areas so we are not ______________ the same ways. When you are in it, you feel it in a way that’s inexplicable.
Helena Christensen: And it was one of those moments when you are like … your adrenaline … just … you know … __________ ________, because you’re like … oh, this is one of those.
HelenaChristensen: It’s very harsh as Mary Ellen was saying. People are very ______________, more and more.
Helena Christensen: That’s kind of what I feel you do with your portraits. You get the ___________ essence of these people no matter of how they are dressed up, no matter how they’re made up. You go right through to the _____________ of them.
Mary Ellen Mark: When you are working with an actor you have to __________ control.
Mary Ellen Mark: I think I have so much stronger pictures. For some reason, that picture became an ____________ picture.
Helena Christensen: It’s very important and I feel with contact sheets which we are now losing because no one ever get contact sheets back anymore and sits with 24 or 26 images. But now that I _________ _____ at my old contact sheets, I see something completely different in some of the photographs that I would have never even … you know … been the least excited about maybe fifteen years ago …I’m now … Why didn’t I __________ this up?!?
Mary Ellen Mark: Right when I was taking that picture the ____________ of the high school walked in … I thought he was gonna like throw me out … But he didn’t.